by Scholes, Robert
This object is available for public use. Individuals interested in reproducing this object in a publication, web site or for any commercial purpose must first receive written permission from the Brown University Library.
For further information, please contact:
Modernist Journals Project
Box 1597, Brown University, Providence, RI 02912
Erich Heckel (1883 - 1970)
Erich Heckel was born in Döbeln, near Chemnitz. During his time at grammar school he made friends with Karl Schmidt-Rottluff. Along with other pupils they gathered at the debating society “Vulkan”, where they discussed anti-bourgeois literature and art theory. Nietzsche and Dostoevsky were among their favourite authors and the intellectual appreciation of literature and its later transfer into the vocabulary of fine arts had a lasting impact on Heckel. In 1904 he began to study architecture at the Polytechnical University in Dresden. Here he met Ernst Ludwig Kirchner. Their discovery of their common goals culminated in the foundation of the artists' association “Die Brücke” (The Bridge" with Karl Schmidt-Rottluff and Fritz Bleyl in 1905. Heckel, who was the most practical member of the group, took over the management and intensively engaged himself in the organisational duties. He discontinued his studies and worked in the architectural office of Wilhelm Kreis. Like the other “Brücke” painters he searched for nature as untouched as possible by civilization and spent the summers of 1907 and 1908 at the North Sea coast in Dangast and of 1909 and 1910 at the Moritzburger Lakes with Kirchner and Max Pechstein.
In 1911 all members of the “Brücke” moved to Berlin. Heckel reacted to his experience of the metropole in a melancholic way: his colours became more subdued and he added the motive of the melancholic, brooding, thoughtful or ill sufferer in bed. He also increasingly took up illustration of literary works. In 1912 his work reached a peak when he took part in the “Sonderbundausstellung” in Cologne, where he also decorated a chapel with Kirchner. At this time he also met numerous other artists like Wilhelm Lehmbruck, Christian Rolfs, Lyonel Feininger and August Macke. During World War I Heckel served as a medical orderly and was responsible for organizing the return home of wounded soldiers to be brought home. A number of drawings and sketches from this time mirror his experiences and capture impressions of the scenery. It was also possible for him to meet James Ensor who lived in Ostende. In June 1916 Heckel married Hilda Frieda Georgi.
Later he had the honor of being attacked as one of Hitler's "degenerate" artists, along with many other distinguished painters. He survived WWII and continued to paint and teach for several decades after the war.